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He's shamelessly bold about the allure of the trap, contrasting the sickness of his city with the universal feeling of getting homesick, and carrying a Springsteen-sized love for the home team.
![kendrick lamar good kid maad city deluxe album cover kendrick lamar good kid maad city deluxe album cover](https://i1.sndcdn.com/artworks-000659914096-yv4fqi-t500x500.jpg)
It is what makes this kid so "good" as he navigates his "mad" city (Compton) with experience and wisdom beyond his years (25). Here, Kendrick is living his life like status and cash were extra credit. Dre, and MC Eiht) and attractive production (from Pharrell, Just Blaze, Tabu, and others). City would be a milestone even without the back-story, offering cool and compelling lyrics, great guests ( Drake, Dr. Dre, and the "biggest debut since Illmatic" stuff starts to flow, but Good Kid, M.A.A.D. Top it off with a pre-release XXL Magazine cover that he shared with his label boss and all-around legend Dr.
#Kendrick lamar good kid maad city deluxe album cover series
A series of killer mixtapes displayed his talent for thought-provoking street lyrics delivered with an attention-grabbing flow, and then there was his membership in the Black Hippy crew with his brethren Ab-Soul, Schoolboy Q, and Jay Rock all issuing solo releases that pleased the "true hip-hop" set, setting the stage for a massive fourth and final.
![kendrick lamar good kid maad city deluxe album cover kendrick lamar good kid maad city deluxe album cover](https://i.ytimg.com/vi/sGd3v4Mex88/maxresdefault.jpg)
The handwriting for both covers was scrawled by TDE member Schoolboy Q, who also did many of the album’s adlibs and wrote on the classic cover for TPAB.Hip-hop debuts don't come much more "highly anticipated" than Kendrick Lamar's. The album cover for the deluxe features his mother’s van that was referenced in the album sitting in the driveway of Lamar’s childhood home. “That photo says so much about my life and about how I was raised in Compton and the things I’ve seen" Although the black strips highlighted that the story was told through Lamar’s eyes, Clark stated they were a legal decision pushed by Interscope to obscure identities. Above where his uncle shows a C for Crips, a photograph of Kendrick and his father hangs. Speaking on the bottle, Top Dawg President Punch said “growing up as a kid… it was always around my household, and the households of a lot of people I know”. On the table, a 40oz bottle lies next to a baby bottle, hinting to the issues in ‘Swimming’. In the original album cover, Kendrick’s uncles are to his left, and his grandfather to his right. “… he doesn’t care what people will think and his art speaks for itself, and I appreciate that audacity.” - Don Clark for EyeonDesign The cover didn’t use original polaroids - Clark took 4圆 portraits given to him by Lamar, and distressed the photographs until they had the distinct texture. In fact, Lamar had planned the cover (as well as much of the album’s content) years prior, stating to Complex "everything was premeditated". However, speaking to EyeonDesign, he explained Kendrick already knew “exactly what he wanted”. The M.A.A.d acronym stood for “My Angry Adolescence Divided” and “My Angels on Angel Dust” (the latter referring to his “first blunt” laced with PCP).ĭesigner Don Clark initially wasn’t a fan of the concept - he fought against the photo of the minivan as he felt it wasn’t worthy of a cover, and didn’t think the graffiti font worked. The title came from a nickname he had given himself - Good Kid in a Mad City. When Kendrick Lamar burst onto the scene with his major-label debut, listeners were greeted with two striking covers.